Until You’re Not There

22 07 2012

On my own

I always thought,

naively so,

you’d always be there,

Never occurred to me

so blind,

that someday you’d go.

So familiar,

your presence:

you brew the morning coffee,

at seven, a good-bye kiss,

but lingering behind,

your essence.

Leaving was always

a temporary thing,

off to work, then home,

never doubted your return,

until that one,  piercing,

unexpected ring.

Wrong number, wrong person,

you’ve always come home,

You were just here,

plans for dinner at eight,

you said you’d never leave,

I’d never be alone.

Oh, I forgot,

there was something I had to say

I meant to ask you,

will you pick up some milk?

Your key in the lock, anytime, now:

you’d never go today.

Can I reel back the time?

Can I put the clocks on hold?

Can I tell the phone not to ring?

Hold that one last morning kiss?

We haven’t had our chance, yet,

To grow old.

© Janet Mitchell, July 2012





If You Will Listen, I Will Tell You

23 05 2012
The Mona Lisa (or La Joconde, La Gioconda).

The Mona Lisa (or La Joconde, La Gioconda). (Photo credit: Wikipedia)

Helen sat dozing in her rocking chair, a hand-knitted blanket draped loosely over her lap and legs.  Occasionally, one foot would touch the floor, and the chair would rock easily back and forth, back and forth, a soft creak punctuating the movement on the back side of the fro.  For awhile, Helen would sit still, after the chair had slowed to a stop, then touch the floor again with her foot, and the rocking would resume.  I sat on the edge of her bed, quietly waiting for her to wake, not wanting to disturb what seemed to be a peaceful slumber.

Oxygen tubing ran from her nose to a machine nearby, humming out a low drone.  Helen’s hair was silvery-white, and it looped in short, easy curls around her face.  One curl fell softly over her right eyebrow, and it would shift ever so slightly from the brow to the bridge of her nose as she rocked in her chair.  Her breathing seemed easy, with a deep sigh every so often.  Her face and lips were pale, but I could picture her as a younger woman, with lips of ruby highlighted by a flush of color in her cheeks.  Quotation marks etched the corners of her mouth, from years of laughing and crying and stern contemplation.   Her eyelids sagged heavily down, and her eyelashes were scarce.  She wore a flowered, flannel night-gown, with two buttons left open at the top.  Her skin hung in little folds from her chin to her collar-bone.  Helen was ninety-one, and her body showed its years of living life.

But Helen’s mind was anything but worn out.  I was caught by surprise as her eyes flew wide open, and she peered straight at me.

“How long did you think you’d sit there waiting?” she asked me with a half-grin.

“Um, how long have you been waiting for me to leave?” I stuttered.  I felt like a child, caught raiding the cookie jar.

She closed her eyes again, and I thought she’d returned to sleep.  “Give me your hands,” she ordered.  She reached out toward me with both arms, the elbows not quite able to extend fully, and I noticed a tremor in both hands.

I reached back to her with my own hands.  I couldn’t help but notice the contrast between the firm plumpness of my own hands, and the loose skin of hers.  I grasped her hands gently with my own.

“Oh, come now,” she said.  “You can give me a squeeze–I won’t break.”  She laughed, her eyes still closed.

I squeezed her hands more firmly.  She tapped a single foot against the floor and rocked back and forth, still holding my hands in hers.

“You can come back and see me again,” she finally said.

“But–” I began to object.

“I know who you are,” she interrupted, as she released my hands.  “My doctor sent you from hospice.  You can come back next week.”  She closed her eyes and appeared to sleep, though I couldn’t be sure she slept.  I stood to leave the room, noting the intermittent tap of a foot and the to and fro rocking of her chair, the same consistent squeak marking the end of the fro.  She neither frowned, nor smiled, she merely sat in peaceful repose.  I thought I could detect just the hint of a Mona Lisa smile on her lips.  The oxygen machine hummed on, and Helen breathed a deep sigh.  I left her to be with herself.

Before leaving Helen’s home, I gathered as much information as possible from her daughter, then arranged to return the following week.

“Mornings are best,” her daughter told me.  “That’s when she’s most awake.”

The following Tuesday at nine in the morning, I returned to visit Helen.  She was lying in bed, staring at the ceiling.  Occasionally, she would extend her arms and move her fingers, as though grasping at invisible strings.  She seemed unaware of my presence.  Her arms opened, as though welcoming an embrace.  She smiled at something I could not see, something in mid-space.  Quietly, she spoke a question that I could not understand, then she seemed to wait, as though listening to an answer.  She shook her head “no”.  “Not yet,” she said.  “Not til I’m ready.”

The daughter stood behind me.   “She’s been like this for the last three days,” she said, and shrugged.  Her face screwed up into a mixture of fear and disgust.  “She’s been talking about her mother and her sister, and some people I’ve never heard of.”

“Is she talking about them, or to them?” I asked, taking the daughter gently by the elbow.

The daughter’s expression turned to one of panic or horror, her mouth opening into a wide “O”, then she covered it with a hand.  “It’s like she’s talking to them, I think.”  She turned away, and walked quickly out of the room, then stood in the hallway and beckoned me with one hand.

“Those people have been dead for years!” she explained.  “It’s got to be the morphine.  We’ve got to get her off the morphine.  I think she’s out of her mind, and the morphine is making it worse!”  The daughter’s fear was escalating, and she fled down the hallway and into another room.

I sat in Helen’s rocking chair, and found myself tapping a single foot on the floor, making the chair move gently back and forth, as Helen had done.

“I see you came back,” Helen spoke softly, startling me out of my thoughts.

“I said I would.”  I leaned forward, as I spoke.

“Let me hold your hands,” she said.

I rose and stood next to the bedside.  Helen once again took my soft hands into her fragile-skinned squeeze.  “You know,” she said.  “You will understand me when I tell you.”  She smiled vaguely at me, her gaze locked firmly on mine.

“What, Helen?”

She squeezed my hands again.  “You won’t tell me it’s the morphine, because you know.  You have been there.”

“Tell me where, Helen,” I encouraged her to continue.

“That place I’m going, where there is nothing but love.  You know–it’s nothing like earthly love.  I can’t describe it, and you know that, so don’t ask me so many questions.”  She was adamant and instructive.  “It is light and there are colors like I’ve never, ever seen before, and it cannot be described with words.  And the people who are waiting . . .”   Her voice drifted off, and a tear trickled down the side of her face.  “The people who are waiting for me want me to come.”  She was silent for several minutes, as she returned to her thousand-mile stare into the in-between.  “I told them I’m not ready, and they will wait for me.”  She smiled, and I saw a radiance glance across her face, the lines smoothing into younger skin for several moments.

“I do know,” I said.

“I told you, I already knew that.  So you don’t have to tell me.  It’s enough that I know you believe what I say.  I know you’ve been there.”  She smiled again, and squeezed my hands so hard that they began to ache.  “Can you come back again?” she asked.

“How about Friday, Helen?  Friday morning?”

She furrowed her brows for a moment, silent in thought.  “Maybe you should make it Thursday, if that’s alright with you.”

“I can do that,” I agreed.

“It’s just that Friday will be too late.”  A matter of fact statement of certainty.

“Can I ask you, Helen, are you afraid?  When you see these people and talk to them, are you afraid?”

Helen laughed out loud, a strong, ridiculous laugh.  “Oh, heavens no, dear.  You should know that!”  She patted my hand gently, and slipped away into quiet sleep.  Her breathing was easy and even.  And still, that hint of Mona Lisa’s smile lingered, just barely perceptible to me.

I sat with Helen’s daughter for a while, before leaving.  “Your mom is crossing a bridge, she’s transitioning from here to there, from physical life to what we think of as death.”  I watched her daughter’s face closely, trying to discern understanding.

“I think it’s the morphine.”  Her daughter was defiant.

“When your mom talks to these people, does she seem afraid?”

“No,” her daughter admitted, “but it’s crazy talk!  She can’t be talking to anyone, because there’s nobody there!”

“Well,” I began carefully, as though maneuvering carefully through a field of glass, “perhaps your mom is sometimes here, and perhaps she’s sometimes somewhere else.  Somewhere we can’t see, but it’s real to her.  It’s comforting to her.”  I waited for Helen’s daughter to process what I had said.

“I’m not sure I understand.”  She fiddled with her fingers as she waited for me to respond.

“This is part of dying, and it’s very common for people to go back and forth, just like your mom’s rocking chair–people go from this world to somewhere only they can see, prior to dying.”

“Well, what am I supposed to do when she talks like that?” her daughter asked, flustered.

“Ask her how she feels, ask her if it is good to see that person she’s seeing or talking to, then just listen.”  I paused for several moments.  “Most of all, let her know you believe her.”

“But, the morphine!” her daughter objected.

“Have you tried to withhold it?” I asked.

“Yes, of course.”  She flushed, and looked away from me.

“And what happens when you withhold it?”

“She has a hard time breathing,” her daughter answered, then heaved a loud sigh.  “She has a hard time breathing, and she keeps seeing and talking to those–those–people.”  She rubbed her hands across her face and cried.  I waited til she wiped away her tears.

“Letting her know you believe her won’t make her worse,” I said.  “It will be the best gift in the whole world that you can give her, just to let her know you believe her.  And giving her the morphine will help ease her breathing.”  I tried to be reassuring and comforting, while knowing that nothing that I could say would take away this pain of anticipatory grief and fear that Helen’s daughter was feeling.  “If you will just listen, she will tell you what she wants you to know,” I said.

She sat silently for ten minutes, as the grandfather clock in the corner of the room tick-tocked the seconds away.  At last, a gong sounded out the hour, and Helen’s daughter startled.  Her shoulders were slumped.  I stooped and gave her a hug, and she hugged me back.

“How long–I mean, how long do you think it’ll be till–” she started crying again.

“Your mom says by Friday,” I said, making my voice as soft and gentle as I could.

Helen’s daughter began sobbing softly, again, and I waited until she stopped.  “Call me if you need me, even if you need to talk,” I said.  “Can you promise me that?”

She shook her head in affirmation, and walked me to the door.  “See you Thursday, then?” she asked.

“See you Thursday.”  I hugged her again.

On Thursday morning at seven o’clock, I called in for my usual report, left by the night call nurses.  Helen had died at five o’clock that morning, her daughter by her side.

I waited until eight o’clock and called Helen’s number.  Her daughter answered, and I could hear the fatigue and relief and anguish in her voice, all at once.  “What can I do?” I asked, simply, knowing there was nothing, really, that could be done, except perhaps to listen.

“I’m okay, I’m okay,” Helen’s daughter spoke.  “I got to talk to her, and I told her I believed her–she seemed so happy when I told her that!”  I could hear her soft, muffled cry across the telephone line.  “It was only about an hour later that she went away, but I had the chance to tell her, I got to let her know.”  She was silent for a moment.  “She finally crossed that bridge, I guess, and now she’s somewhere else.”

©Janet Mitchell, May 2012.  Any resemblance to any actual person, living or dead, is entirely coincidental.  This is a work of fiction.





For Those Who Shared Last Holiday with Someone, Now Gone

21 12 2011
English: Snowdrift by Delf Road

Image via Wikipedia

Bright lights, glittering tinsel,

merry sounds and the gay tinkle

of laughter and glasses

toasting out the old

and in the new.

Sparkling, vivid colors

garner doorways and trees,

cheery songs, sung by

rosy-cheeked carollers,

merrily tramping through snow,

that lights on noses, falls in drifts,

and muffles the noises

of Christmas Eve.

For those who’ve lost loved ones,

in the last year,

bright lights dim,

tinsel loses its glitter,

sounds become meaningless noises,

laughter and glasses no longer tinkle,

and there’s only the reluctant,

painful, release of the old,

letting go of the loved one now gone.

An empty chair,

a missing wrapped gift beneath the tree,

a toast that can be given

with only a single glass.

Sparkling, vivid colors come

only in black and white and grey,

the garner of doorways and trees

only glimmerless, tangled rope.

rosy-cheeked carollers sing

a one-note song:

“my old acquaintance is not forgotten,

but gone.”

Snow flakes and drifts,

reminders only of bitter cold,

covering someone buried deeply beneath.

Silence, the muffled sound

of inexpressible grief.

May those who’ve lost someone since the last, merry Christmas or Holiday, be comforted by warm memories of that one who is no longer here, be comforted by their faith, and be comforted in knowing there will be a softer time to come.  To those who know of such a person, give them love.

©Janet Mitchell, December, 2011





It Takes Courage to Love

19 12 2011

Love for Arts

It takes courage to love.  Because, always, someone loses the other.  Someone walks away, someone dies.  And I’m not sure which is the lucky one?  Is it worth the risk of pain to love?

I’d say, yes, it’s worth all the risk of pain in the world.  To have never known love, so lonely, so empty.  Safe?  Yes.  Full?  No.

If I had a chance, again, to love and to lose, I’d choose love.

I’d choose to love, then try to live again, try to push through the pain of loss.

What would you do?

© Janet Mitchell, December 2011.





Hospice Story: Elsa, the Healing Begins

17 12 2011
Grief

Image via Wikipedia

I literally collided with Elsa, while waiting in the all-you-can-eat crab buffet line at the local casino.  I’d noticed Elsa, standing a few bunched-up people ahead of me, and I was tempted to squeeze through the sardine-packed crowd to tap her on the shoulder to say “hello”.   I decided against it.  I had been her husband’s hospice RN a bit over a year ago, and I was worried that seeing me might jolt her with memories of that sad time, and create a sudden eruption of tears and grief. 

So I stood waiting in line, debating with myself if I should leave.  What if she turned around and saw me?  She seemed to be having such a good time, as she chatted animatedly with a lady-friend waiting next to her.  I saw smiles on her face that I had never seen before.  It was good to see her at the buffet.  It was a sign of healing.  She and her husband had religiously attended the all-you-can-eat crab buffet at the casino, every single Friday night of their twenty-year marriage.  Nothing, other than death or hospitalization, trumped the Friday night date at the all-you-can-eat crab buffet.

Her husband loved cracked crab.  Elsa thought it was just “okay”, but as she once told me, “it seems an awful lot of work for a few bites of crab… and you have to wear an apron, for heaven’s sake, unless you want to leave, dressed in crab and crab juice.”   She went to the buffet every Friday, because it was “just about the highlight of his week”, and it was the highlight of her week to see him tear into the crustaceans with gusto, leaving, despite the apron, covered with crab and crab juice, and a great smile on his face, belly fuller than it should have been.  She laughed about how the buffet owners cringed when they saw her husband coming, because they would definitely lose money on this crab-loving buffet customer.

Just as I was about to turn around to leave, Elsa swiveled, her arms flailing in every direction, as she shoved her way through the crowd the wrong way.  Something had happened.  When she reached my point in the crowd, her eyes opened wildly as she peered up at me, the recognition unmistakable.   A choking sound came up from her throat, and she fell forward.  I caught her, as she stumbled forward, still groping, with nothing but air in front of her. 

We walked, my arms around her to keep her upright.  I scanned the room for a place to sit, away from the gawking crowd.  Her legs threatened to buckle, and tears flooded her face.  She stared at the floor, refusing or unable to look at me.  After what seemed an eternity, a casino host came rushing across the room with a wheelchair.  We got Elsa into the chair, and were accompanied to a quiet, secluded room, far from the noisy, nosey buffet.

I waited silently beside Elsa.  The host asked if he should call 911, and I said, “No, give us a minute.  I’ll let you know if we need anything.” 

The host showed me a button on the wall, which I could push for immediate help.  I thanked him, and, hesitantly, he left the room, closing the door quietly behind him.

I checked Elsa’s pulse, and rubbed her back.  “It’s okay, Elsa.  You’re safe.” 

She said nothing.

I pulled a chair in front of her, and sat.  I reached out my hand and stroked hers, and she did not pull away.  Finally, she placed her other hand on top of mine, and said, “Thank you.  I guess I made quite a scene out there, didn’t I?”  Her voice was shaky, but her breathing was slowing to normal.  Her body continued to tremble, slightly, but soon, she pulled her shoulders back and looked at me, straight and strong in the eye. 

“I thought I was ready,” she said.  “It’s been a year~~no, it’s been a year, two months, and~~” she paused and searched the ceiling for several seconds.  “~~and for I don’t know, anymore, how many days?  I used to know how many days.”

Her face screwed up into a flushed, round ball.  “Is that bad?”

I smiled at her, and cupped her hand in my free hand.  “No, that’s not bad, Elsa.”

“It’s just that it’s been more than a year, and for some reason, I got the idea that a year was it, that the grieving should be over in a year.  That’s what I read somewhere, anyway.”

I rubbed Elsa’s shoulder.  “It takes what it takes, Elsa.   For some people, it’s ten years, for some it’s five, for some it’s a few.  But, whatever it takes, it just takes.”

She smiled, a tremulous smile.  “I got through Christmas.  I got through Thanksgiving.”  She scanned the room with her eyes.  “I’ll admit, the Christmas tree lights didn’t sparkle much, the turkey was dry.”  She laughed, a shaky kind of laugh.  “I didn’t want to decorate for the holidays, but I did string some garland around the doors.  I bought a little Christmas tree, and put on a few lights, and I added a few Christmas balls and ornaments.  But not the ones that meant anything.  Not what Charles and I used to do.”  Tears threatened to fill her eyes again.  “But I tried to make Christmas, and I told myself that it was okay that it didn’t feel as joyous as it did when Charles was here: after all, he was missing.  What was important was that I was doing it.  I was trying.  And Charles would like that.”  She sobbed a single, deep sob, and tears began streaming down her face again. 

“Elsa, I’m going to get some water for us.  I’ll be right back.”  I looked at her, uncertainly.  “You be okay?”

She gave me a weak smile, and nodded, “Yes”.

When I returned, she slurped down half a glass of water.  She was holding a saturated handkerchief in her hand, and I dug a clean one from my bag, handing it to her.  “How ya doin?”

“Better,” she said.  She smiled again, this time a bit stronger.  “You know, I got through our anniversary, I got through Charles’ birthday, I even got through our twenty-first anniversary.”  She looked up at me, shyly, from beneath her lashes.  “It was a second marriage for both of us, you know.” 

“I remember you telling me that.”

“Well, when I got through that anniversary, I thought I was ready for anything.  I thought I was through with my grieving.”  She looked toward the closed door, as though she was peering straight through it, out to the crowd she’d left behind.  “I guess I’m not.” 

Elsa and I sat for a long while, talking about the steps she’d taken, the progress she’d made over the past year, since Charles had died.  She cried and she smiled.  Then she smiled and cried, again.   “I hate it when I cry!  It makes my nose all stuffed up!”  She gave a half-laugh, mixed with a choke and a hiccough.


“You know, there’s times when I think I’m doing just fine, and then I’ll smell a smell, or hear a tune on the radio, or even see a couple I don’t even know, hugging.”  She paused, a strangling sound coming from her throat.  Then her shoulders pulled back, firm, and she took a long, deep breath.  “That’s just when it’ll hit me again.  When I least expect it.  Just when I think I’m over it.  And I realize I’m not.”

I nodded at her, and she held her arms out for a hug.  I held her for several moments, until she pulled away. 

“We don’t really heal, do we?”  she asked, more rhetorical than a real question.  “We just keep going, we just learn how to cope with it better, don’t we?  I mean, the lights on the Christmas tree will never have that same sparkle that they had when Charles was here.  And,” she struggled with her next words.  “… and, I just have to keep going, don’t I?  I have to learn to come to the all-you-can-eat crab buffet on Friday night, without completely losing it, don’t I?”

I sat for a moment, saying nothing.  The silence was so heavy for something that weighs nothing.  But I waited in that silence, until Elsa peered directly into my eyes again.

“Do you think I’ll ever be able to come to the all-you-can-eat crab buffet at the casino, again?  Will that be what tells me the grieving is over?”

I laughed, quietly.  “If I remember right, you never did like the all-you-can-eat crab buffet in the first place.”

She grinned up at me, then gave out a full laugh.  “You mean, I don’t have to do it?”

“No, you don’t have to do it,” I said, smiling back at her.  She looked almost radiant at that moment.  “It’s your time, now, Elsa.  Charles will understand.  He’d want that for you.  It’s time for you to discover how to be you, alone, now.”  I took her hands in mine again.  “And from what I can see, you’re doing a pretty good job of that, so far.  It’ll be bumpy, there’ll be ups and downs, those may never go away.  But you’ve learned to cope with so much already. 

And, by the way, coping doesn’t mean that you don’t cry or feel sad or wish Charles were here.  Coping means that you get up everyday, and sometimes just go through the motions.  It’s a lifelong process, but it gets better.  One day, you’ll surprise yourself when you realizing you’re smiling, even laughing.”  I grinned at her and squeezed her hands.  “I’m just guessing, but I’ll bet you’ve already found yourself smiling at a little kitten, or laughing at a funny joke?”

She shook her head slowly, yes.  “It doesn’t happen often, but it has happened.”  She frowned.  “The first time I smiled and laughed, I thought I was betraying Charles.”

“Oh, Elsa.  You’re not betraying Charles.”  I hugged her again, then sat back in my chair.  “You’re beginning to live again.  You’re re-creating yourself.  And that’s what Charles would have wanted.”

©Janet Mitchell, December 2011.  Any resemblance to any actual person, living or dead, is entirely coincidental.  This is a work of fiction.





When You Were Here

16 12 2011
Face with blue collar

Image by murphyeppoon via Flickr

With you here, stars sprinkled glitter around me,

swirled under my feet, lifted me up

in a strong, steady, tender wind of love.

Your eyes twinkled back at me,

when I glanced your way,

pulling that glance into a gaze

that held me,  would not let go.

When I closed my eyes, I saw your face,

every line etched, every dimple placed

surely in my mind, locked in my memory,

held, tightly bonded, incapable of being erased.

I will never forget.

That’s what I thought.

Until you left.

The glitter stopped swirling around me,

the stars went dull,

all of the glimmering sparkles disappeared.

My legs felt weak,

pain stabbed at my heart,

then split me in two. Behind my closed eyes

there was only empty space:

I could no longer see you.

I rummaged, frantic, through boxes of pictures,

desperate to find something to help me remember

the architecture of your face.

Of course you were there, but only for moments,

flickers here and there that I could no longer hold,

the details had blurred into tiny fragments

of fleeting memory, just a trace.

Then one day, I was shocked, ashamed, to

find myself smiling, even laughing:

had I forgotten you?   Betrayed you?

The grief is there, but has dulled with

the compassion that time brings.

©Janet Mitchell, December 2011








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